Inside, they find the remains of a large alien creature whose ribcage appears to have exploded from the inside.
On the Nostromo, Ripley determines that the transmission is not a distress signal but a warning.
After a heated discussion, the group devises a plan to jettison the creature out of the ship.
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I was entertained by and sympathetic toward the characters, who were multi-dimensional and intense.
Mostly, I was impressed by the film’s visual aesthetics– I’m not referring to the sex scenes here, though there was ample representation of that action– I’m talking about the piecing together of a beautifully shot film.
She dons a spacesuit and opens the shuttle’s airlock, causing explosive decompression which forces the Alien into the shuttle’s open doorway.
She propels it into space by shooting it with a grappling hook, but the gun catches in the closing door, tethering the alien to the shuttle.
Following standard company policy for such situations, the Nostromo lands on the planetoid and Dallas, Kane, and Lambert head out to investigate, damaging their ship upon landing in dust.
They discover the signal is coming from a derelict alien spacecraft.
Ripley initiates the self-destruct sequence and heads for the shuttle with Jones, but the alien blocks her path.
She retreats and unsuccessfully attempts to abort the self-destruct sequence, then returns to retrieve Jones, finding the alien gone.
Lambert, realizing the alien is killing the crew one by one, implores the others to escape in the ship’s shuttle.